TerryTrilla

TERRYTRILLA · SMART METRONOME

Online Metronome

A free online metronome that goes beyond 4/4 — 13 flamenco palos, polyrhythm in three layers, odd meters and three training modes.

Rhythm is a closed loop

Most online metronomes do one thing: count beats. That is useful. But if you play Bulería, study Balkan rhythms or work on 3-against-4 polyrhythm, the standard tick-tock leaves you on your own.

The TerryTrilla Smart Metronome works differently. Rhythm here is not a straight line running off to the right. A bar does not end on its last beat — it flows into the first beat of the next cycle. That is exactly how musicians who work with cyclic structures think: the flamenco compás, the Indian tala, the Cuban clave.

This is not a visual trick. It is the correct cognitive model of rhythm, made visible.
Guitarist practicing with the Terry Trilla Smart Metronome — circular beat wheel at 120 BPM in 12/8 Allegro with a pulse-star visualization
Your rhythm. Your flow. Practice in any meter — from 4/4 to the 12/8 flamenco compás.

How the beat wheel works in this online metronome

A circle divided into N equal sectors — one per beat. Inside it several layers of information work at once, so a glance is enough to see where the bar is going.

?

Outer ring of sectors

Every beat is a sector. Colour and brightness show how strong the accent is. Subdivisions — eighths, triplets, sixteenths, quintuplets, sextuplets — fill the sector from inside. These are real audible clicks, not decoration.

?

Three arc rings

Groupings (2+2+3 in 7/8), phrase structure — call-and-response, clave 3–2, <em>fuerte</em> and <em>suave</em> in Soleá — and an animated progress arc that sweeps around the cycle in real time.

?

Pulse star at the center

Points are beats, point length is accent strength. On every strike the current point grows by 20% and fades back in about 200 ms. Bulería and Soleá make two different stars, though both run 12 beats.

UNIQUE ARCHITECTURE

Clock Mode and Wheel Mode — two modes of one circle

?

Clock Mode — familiar meters

For 4/4, 3/4, 6/8 and 12/8 the circle keeps twelve reference points, like a clock face. A familiar structure — but alive and moving.

?

Wheel Mode — non-standard meters

For 5/4, 7/8, 9/8, 11/8 and the 16-beat Tintal the twelve markers disappear and the circle rebuilds itself into N equal sectors. The switch happens by itself.

An architectural decision we have not found in any competing metronome.

Flamenco — 13 palos with built-in compases

Each preset is more than a tempo. It is a correct compás with the right accents, groupings and phrase structure. Bulería 12 puts strong accents on beats 12, 3, 6, 8 and 10 — exactly where they belong. Soleá splits into fuerte and suave. Siguiriya keeps its characteristic asymmetry.

Alegría · Abandolaos · Bulería (6) · Bulería (12) · Bulería (variant) · Fandangos · Rumba · Sevillanas · Siguiriya · Soleá · Tanguillos · Tangos · Tientos

Flamenco sounds: palmas clara (bright claps), palmas sorda (muted claps) and cajón — recorded samples, not synthetic clicks.

Polyrhythm — for those who have outgrown 4/4

Up to three independent rhythmic layers at once — each with its own tempo ratio, timbre and volume, all locked to a mathematically correct master cycle. The cycles always close together, so drift is impossible.

?

Layer 1 — primary

Green. The reference pulse that every other layer locks to.

?

Layer 2 — secondary

Blue. Own beat count, own sound, own volume. Mute and solo independently.

?

Layer 3 — tertiary

Purple. Presets 2:3, 3:4, 4:3, 5:4, 3:2 and 4:5 — one click away.

Training modes — the metronome as a practice tool

?

Speed Trainer

Gradual BPM acceleration from a starting value to a target, in steps you set. A typical run: start at 60 BPM, add 5 every 45 seconds, stop at 144.

?

Bar Breaks

Silence every N bars. Four bars on, four off, then back again. Hold the tempo through the silence and come back exactly on the beat — the classic exercise for building an internal clock.

?

Random Drops

Random beats are dropped at a probability you set. At 30% you cannot lean on every click any more — you start hearing and feeling the rhythm instead of following it mechanically.

Professional-grade sound

?

60 FPS

Visualization runs on requestAnimationFrame. No lag against the audio even when the browser is loaded.

?

Microseconds

Web Audio API scheduling with look-ahead precision. Real professional accuracy.

?

9 sample categories

Classic click, drum kit, woodblock, palmas, cajón, darbuka, tabla, clave, electronic — plus synth clicks with zero latency.

?

Swing 0–75%

From a straight feel through a triplet feel to a hard shuffle. Applied to pairs, quadruplets and sextuplets.

The metronome inside the TerryTrilla Circle

The Smart Metronome is not a standalone application. It lives as one of the central modes of the Scale Circle — the same circular system where you explore scales, intervals, chords and instrument tuning.

The visual language is one and the same: the scale star and the pulse star follow the same principle — N points, and point length means intensity. The vocabulary does not change from mode to mode, so you are not learning a new interface, you are applying familiar logic to a new task.

Tuner, crystal, star and metronome — four central modes of equal weight inside a single widget. Learning music is not scattered across separate apps; it happens in one place.

Who this online metronome is for

?

Flamenco guitarist

Picks the Bulería preset and gets a correct 12-beat compás with palmas clara. The star shows the structure at a glance — no counting out loud.

?

Jazz drummer

Turns on 3-against-4, gives each layer its own timbre, then mutes the primary one — to check whether the three-beat figure holds without the main pulse.

?

Conservatory student

Sets 7/8 grouped 2+2+3, sees three grouping arcs and seven star points, hears the accent on beat five. Then switches to 2+3+2 and compares — by ear.

?

Music teacher

Switches on Tintal (16 beats) for a lesson on Indian tala. Wheel Mode opens the circle into sixteen sectors; the preset exports as JSON and goes to the student.

?

Hobby guitarist

Sets 4/4, turns on the speed trainer and works from 80 up to 120 BPM. The metronome does not tick — it pulses. That alone feels different.

?

Composer

Writes a contemporary piece in 11/8 (3+3+3+2) and saves the preset as JSON for the percussionist. Adds a 5:4 polyrhythm to test how the section holds it.

Metronome specifications

ParameterValue
BPM range20–300
Subdivisionseighths, triplets, sixteenths, quintuplets, sextuplets
Swing0–75%
Time signatures4/4, 3/4, 6/8, 2/4, 5/4, 5/8, 7/8, 9/8, 11/8, 12/8, 16 and more
Flamenco presets13 palos
Polyrhythmic layersup to 3
Sound timbres9 sample categories + synthesized clicks
Visualization60 FPS via requestAnimationFrame
Audio precisionmicroseconds (Web Audio API)
Training modesSpeed Trainer, Bar Breaks, Random Drops
Keyboard shortcutsSpace (play/stop), T (tap tempo)
Mobile supportyes, touch controls
Themeslight and dark
Test coverage591 tests, 97% code coverage

Online metronome — frequently asked questions

READY TO PRACTICE

Study scales. Practise in tempo. One place for both.

Smart Metronome is part of the Terry Trilla platform — explore scales, chords and intervals in Scale Circle and practice them immediately at the right tempo.